Kayo Dot

Kayo Dot: “Symmetrical Arizona”

from Blue Lambency Downward (Hydra Head)

posteverything // out now

(orig. pub late May or early June 2008)

Kayo Dot, led by  singers/multi-instrumentalists Toby Driver and Mia Matsumiya (who is especially evocative on violin), have a way of trailing  guitars, bass, drums, sax, vibes, clarinet, gamelan, keyboards, et cetera, through traces of metal, avant jazz, and Late 20th Century-based Western takes on Eastern music, sometimes sketching out vast dayscapes of  seemingly emptied beauty, along the way.  Yet there’s also a furtive, sometimes tingling sense of possibilities, for Those Who Know: hooded figures, bowed but still standing on the verge of getting it on, one more time. So their albums are tantalizing enough, though promising passages through the vastness can knock up against too many dramatic pauses, too many creeping beats.  Still, Blue Lambency Downward eventually lives up (and down) to its title, with a concluding arc of tracks, saving the best for last. “The Awkward Wind Wheel” keeps wobbling until it’s pulled through an avalanche by bass and drums, right through trees of smoke and ganglia (strings and woodwinds), on through the parting spikes of “The Useless Ladder,” into “Symmetrical Arizona,” where damn if woodwinds and maybe cellos don’t grown and press contemplation into the hollow heads of abandoned gods of vanished cliff-dwellers, as thee coalescing image of a prodigious prodigal, no bigger than a Kayo Dot, gauges and gouges a valley of personal mythology(dropping in  percussive beads, talons, wine-streaked sheet music, flapping like wings), until it’s raised from the dry undertow of his affectations, casting and rattling real-enough shadows across my virtual attention span, for quite a while.